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好兆来电影网为您提供镜子的另一面:纽波特民歌艺术节1963~1965免费在线观看地址,影片主演列表、影片相关资讯、海报图片、上映更新时间、主演其他影片、 豆瓣评分、主题曲、台词、
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镜子的另一面:纽波特民歌艺术节1963~1965

  • Bob Dylan Joan Baez Judy Collins
  • 120分钟
  • "Bob Dylan going electric" at the 1965 N…"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his mand of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly being. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without ment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are mitted and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.

电影 《镜子的另一面:纽波特民歌艺术节1963~1965》剧情介绍

《镜子的另一面:纽波特民歌艺术节1963~1965》主演:Bob Dylan Joan Baez Judy Collins 的电影 该剧剧情: "Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his mand of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly being. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without ment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are mitted and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.好兆来电影网剧情片栏目为您提供《镜子的另一面:纽波特民歌艺术节1963~1965》免费在线观看,及播出时间。喜欢的话,不要忘记分享给好友哦!

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镜子的另一面:纽波特民歌艺术节1963~1965评论

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常见问题

1.请问哪个平台可以免费在线观看镜子的另一面:纽波特民歌艺术节1963~1965 《镜子的另一面:纽波特民歌艺术节1963~1965》?

电影天堂网网友:脸红《镜子的另一面:纽波特民歌艺术节1963~1965》vip免费在线观看地址https://pbppk.com/vod/71261.html,目前有预告片高清、极清、超清、1080p、740p、蓝光、4k全集未删减

2.《镜子的另一面:纽波特民歌艺术节1963~1965》是什么时候上映/什么时候开播的?

腾讯视频网友:大吃一惊2007年,详细日期可以去百度百科查一查。

3.《镜子的另一面:纽波特民歌艺术节1963~1965》都有哪些演员

芒果TV网友:狂汗Bob,Dylan,Joan,Baez,Judy,Collins,

4.镜子的另一面:纽波特民歌艺术节1963~1965《镜子的另一面:纽波特民歌艺术节1963~1965》有多少集

电影吧网友:得意现在是全集未删减

  • 清晰:超清
  • 5.手机版免费在线点播《镜子的另一面:纽波特民歌艺术节1963~1965》有哪些网站?

    腾讯视频网友:示爱酷BT电影天堂网80S影视网星辰影院、星空影院、、咪咕影视、、电视豆

    6.《镜子的另一面:纽波特民歌艺术节1963~1965》评价怎么样?

    芒果TV网友评价:惊喜这部影片的剧情开门见山,丝毫不拖遢,现在系列电影越来越多,为什么呢?我觉得无非是导演没有那个本事把所有的内容都集结到一部中拍完,好像我们写作文,刚学会写的时候总是怕字数不够,当有了一定能力的时候就喜欢越写越长,唯恐表达不全面。但真正的写作大师懂得如何把精要浓缩,以最短的篇幅表达最深刻的内涵。

    IMDb影评网友评论:献黄瓜Murray,Lerner,导演的作品很精彩!目前,我无法评判这 几位主人公的做法是否恰当,每个人都有自己的人生,时间会证明一切。但是Murray,Lerner,对梦想的追求与坚持,正是我所感动且需要学习的。 很多人都有自己的理想,但每个人都活在现实社会中。而今,能在现实中一开始就找到一份理性并热爱的工作,实属难事。大部分人只能是先找到工作,然后再慢慢寻找与自己爱好相关的职业。

    豆瓣电影网友:献花《镜子的另一面:纽波特民歌艺术节1963~1965》不同于其他作品,这样的大场面绝对适合电影院观看,票房能不飙高吗?!音效也实在太棒,别说电影院里的效果,仅仅是在家中的电脑上看DVD也觉得足够震撼了,1996年的电脑特效做到这样的逼真实在让人佩服,事实上我觉得现在的电影视觉效果制作上也没有比它好到哪里去。想到前天看的加勒比三,不过如此,过与复杂的情节着实让人烧了不少脑细胞,要不是因为小强,实在想不出来有什么吸引我去影院看这部系列电影的理由。!